begins with a chorus of voices on “BLOOD.,” so it ends with “DUCKWORTH.,” the track that underlines the cyclical nature of the album. On “GOD.,” you can sense a looming finality, as Kendrick wrestles between flaunting his achievements while staying humble, reminding himself that he’s just a fallible human. The track ends with a voicemail from Kendrick’s cousin, who quotes The Book Of Deuteronomy and warns Lamar about God’s vengeful tendencies. Returning to the album’s religious undercurrents, “FEAR.” speaks of suffering and talking to God while recalling intensely traumatic experiences. The throbbing beat by Mike WiLL Made-It was originally reserved for Gucci Mane after he got out of prison, which explains the urgency of the production. The standout track sees Kendrick with one foot in the past and the other in the present, serving as a reminder of what life used to be like before he was catapulted into superstardom. “HUMBLE.,” the album’s lead single, peaked at No.1 on the Billboard Hot 100 and serves to bind DAMN.
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Though “LOYALTY.” refers to romantic relationships, Lamar is fixated on notions of loyalty and honesty throughout his work. is noticeably light on guest features, but Rihanna’s appearance (with a rare instance of her rapping) adds extra star power to the album. This philosophical concept gives way on “LOYALTY.,” one of the few radio-ready tracks on the album, featuring Rihanna. While each individual song stands on its own, they come together to create a scripture-inspired collection that fits tightly together. The brevity of the track is punctuated with the refrain “If I gotta slap a pu_y ass ni_a, I’ma make it look sexy,” while Lamar at one point lifts his flow from Juvenile’s 1998 single “Ha,” before the track slows down and eases into “FEEL.” His confidence is a siren for black people growing up disproportionately affected by police brutality and brazen racism. The album opens with a choir on “BLOOD.,” with Kendrick employing his cutting narrative flow, telling the story of an old blind woman who shoots him when he attempts to help her. posits introspection and assessment of what one can take and use from the world. Two years later, Lamar unpacked these issues with the same maturity but a deeper scope, intertwining themes of religion to question one’s life path. When Lamar released To Pimp A Butterfly in 2015, the themes of police brutality, racial inequality, and political outrage were evident he addressed trauma within the black community, financial turmoil, and gun violence from a poetic approach. There’s no spoon-feeding here, either, as K-Dot consistently delivers skilful, categorically “conscious hip-hop” that is worthy of careful dissection. finds Lamar succinctly balancing his novel wordplay, embedding every verse with a clear intent. He brings his sharp-edged narrative skills to the album, employing a different method of storytelling in which the listener is encouraged to engage with the tracks repeatedly in order to uncover the balance and execution behind each verse.Ī very economical album, DAMN. was never intended to be overtly political, but more of a continuation of Lamar’s growth and response to the world around him. Kendrick is good at keeping things under wraps, so stay tuned to HNHH for all of the latest updates on his upcoming new project.Listen to DAMN. This news is a lot to process for many Kendrick fans, and it should be interesting to see what the artist does over the coming weeks. Interestingly enough, Punch from TDE has already reacted to the news, telling a fan "it's funny you should ask," after said fan wanted to know when Kendrick's new album would be dropping. I’ve prayed for you all.īased on the message, it would appear as though an album is, indeed, on the way, although there is no timeline as to when it will be released. Thank you for keeping me in your thoughts. As I continue to pursue my life’s calling. May the Most High continue to use Top Dawg as a vessel for candid creators.
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The life in which my words will land next.Īs I produce my final TDE album, I feel joy to have been a part of such a cultural imprint after 17 years. While the world around me evolves, I reflect on what matters the most.
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Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family. The morning rides keep me on a hill of silence.
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"I spend most of my days with fleeting thoughts.